Top 10 Hit Movies in the World


10. BirdmanRiggin:

Thomson a sixty plus actor hates that he is only represented only for a comic book movie hero but Birdman would have made him a star decades ago.
He believes that headlining and directing a Broadway play based on a Raymond Carver story will convince the world. But when everything goes wrong in previews Riggin realizes that he can only trust birdman voice in his mind. Casting with (Edward Norton, Naomi Watts, Zach Galifianakis, Emma Stone) and employing Gravity cinematographer Emmanuel Lubezki to shoot the two-hour story as if it was one continuous take, director Alejandro G. Iñárritu gave a knowm backstage warning. Keaton, who played Batman in two Tim Burton movies, locates Riggin’s frantic tiredness, which could drop into suicidial defeat or rise into mad apotheosis.Not to worry:the actor and the movie end up with high.

9. Wild Tales

Passengers board a flight for which they received free tickets from a mysterious sponcer named George Pasternak, whom each of them was made upset in some way — and that he is in the cockpit about to crash the plane.A hijacking story with a strange sparkling tag,this is the first of six short fables in a collection comedy from Argentinian writer-director Damián Szifron. Acrimony simmers and boils entertainingly set up a roadhouse diner, on the open highway, in a DMV office, among the corrupt members of a rich family and at a wedding ceremony where the bride comes to know that her husband had an affair with one of the guests. Produced by Pedro Almodóvar, and coauthored by Ambrose Bierce and Roald Dahl, Wild Tales builds recognizable grudges into tales of apocalyptic revenge. It’s also the year’s most fearlessly funny film in the world.

8. Citizenfour

The Weinstein Company believing himself as a Citizenfour,Edword Snowden a CIA(Central Intelligence Agency)Staff sents an encrypted email messages to doc filmmaker Laura Poitras that informed about extraordinary revelations about the National Security Agency’s database on U.S. citizens. In a Hong Kong hotel room in June 2013, the Booz Allen IT analyst met Poitras and journalists Glenn Greenwald and Ewen MacAskill to drop his and his computer’s guts. The subject of this attractive, edifying and scary film has a nerdish star quality: Blamed and articulate, he’s also more than a little anxious. Snowden correctly anticipated his position – official exile status in the U.S. – and makes clear that the need for the public to know the scope of NSA eavesdropping is worth the price he will pay. The angrylook of Poitras’s camera gives the young man a vaporous darkness; he could be a ghost reaching out from the other side to warn the living. A true-life spy thriller and horror movie, Citizenfour is also history in the making: a portrait of a man at the very moment he chooses to aware the darken Americans and explaining them for what their government spy their citizens.

7. Nightcrawler

Once a producer said at an L.A.TV station, “Think of our news, when a screaming woman running down the streets of a city with her throat cut”.Jake Gyllenhaal , played a character of temporary news cameraman named Lou Bloom with a joyful stare of a Unstable Boy Scout,who takes that advise and shoots the videos of mournful widows,Home-invasion victims and victims of accidents.Do you want to see it?Lou was the man who brings it for you.Just imagine Travis Bickle from taxi Driver drenching his way into Paddy Chayefsky’s Network and writing-director Dan Gilroy’s 70s-going-on-right-now mix of psychological portrait and media satire. Looting an after-dark L.A. brought to gorgeous,alarming life by top cinematographer Robert Elswit, Gyllenhaal ratchets down his usual fretful-puppy winsomeness to create and elaborate,articulate container for Lou’s hollow appeal, careering enthusiasm and pestilential value system.

6. Jodorowsky’s Dune

In extensive wave and vital broken English, Alejandro Jodorowsky exclaims, “Movies have heart – boom, boom, boom! Have mind [he mimic lightning bolts from his brain]. Have power [he points to his genitals]. Have goal I want to do somewhat like that. Why not?” At 84, four decades after he prepared a hallucinogenic adaptation of Frank Herbert’s science-fiction novel Dune, the Chilean-born Mexican director is still inconsolable that the project died when his producer came up $ 5 million short on the $ 15-million budget. A few years after, George Lucas spent $ 11 million making Star Wars, and the fantasy-film genre went retro instead of lavishly wacko. Doc director Frank Pavich defences his profile of the still-vital and charismatic Jodorowsky with donations from the old Dune team, including writer Dan O’Bannon and concept designers Chris Foss and H.R. Giger (all of whom world work on Ridley Scott’s Alien). The message to take from this love letter to the cinematic dream of the 70s: movies once had brains and balls, and mislaid them.

5. Goodbye to Language

In a banner year for 84-year-old imaginative, Jean-Luc Godard issued his first 3-D aspect, a sceptical phantasmagoria that proves the relentless new vigour of the auteur that set movies on their modernist course with his 1960 gasping. Most of other directors stopped modernizing; Godard went advance, into a movie-essay form that lays his difficult ideas about life, politics, and love and film history over the splash of a story – here, the loving dispute of a youngish, frequently nude couple (Héloise Godet and Kamel Abdeli). As if he were creating the first 3-D movie experiment, Godard shows scenery in violent, supersaturated colors and, in one scene, plays with overlie images: close one eye and see a man in the forefront, close the other and see the woman in the back. The real star is Godard’s dog Roxy, a sorrowful observer and a enormous natural actor who embodies Darwin’s watching that “A dog is the only thing on earth that loves you more than he loves himself.” This most recent Godard may be tough to love, but it probes, confounds and thrill in equal and unique evaluate.

4. Lucy

Most of the movies are hero oriented but the Lucy is about woman empowered and expose by the infusion of efficient new drug into her nervous system, it is quit interesting thriller movie ever. It kicks ass and takes brains. Besson gives his usual fights and car crashes, before turn sharply toward a climax of Mensa movie madness in the spirit of a crazy 2001. The French writer-director, who has frequently doing lady oriented action movies (La femme Nikita, The Professional, The Fifth Element), here creates a heroine whose quickly growing abilities make her the world’s most amazing weapon – in the process, promoting Scarlett Johansson from an indie-film icon and Marvel-universe sidekick to the movie brave woman she was intended to be. Taking place in less than a day, while concurrently synopsizing three million years of human development in hurtle 89 mins. Of screen time, Lucy is the year’s best, smartest, juiciest, coolest, action movie.

3. The LEGO Movie

The dare to directors and co writers Phil Lord and Christopher Miller: convert the blocky LEGO figures, with tinted faces and no leg or arm mobility, into delightful or greedy characters a viewer can instantly understand and believe in. That they did. Worker buzz Emmet (voiced by Chris Pratt of Parks and Recreation and Guardians of the Galaxy) gets incorrect as the Special One, the Neo of the LEGO matrix, by a cadre of secretive rebels bent on defeat the evil President Business (Will Ferrell). “Anti-capitalist” was the phrase that useful to this comedy about the terrible blend of big government and voracious commerce – someway ignoring that it’s also a feature-length trade for the world’s biggest toy company. Politics aside, The LEGO Movie is a toot, and prettiness. Shot in a CGI format that imitate slow-motion animation, it has an rightly rough, faux-primitive look, as if some luminous kid had made a madly involved home movie the total world could love. The sequel of this movie comes in 2018.

2. Boyhood

In what might have been a trick but in fact a stroke of intellect, Richard Linklater began shooting Boyhood when its leading actor, Ellar Coltrane, was a first-grader and each successive summer blast a new segment linking Coltrane’s Mason and his Texas family: father Mason Sr. (Ethan Hawke), mother Olivia (Patricia Arquette) and elder sister Samantha (the director’s daughter Lorelei). Mason’s early life has its difficulties but few fringe; it unfolds rather than blast in reality-TV’s manufactured shock. A home movie of a imaginary home life, an epic collected from vignettes, Boyhood shimmers with natural reality. To watch it is to page through a family album of individuals you just met, yet feel you’ve known evermore. This is life as most of us experience it, and which few movies document with such simple perception. Embrace each moment, Linklater tells us, because it won’t come again — except he is there to record it, shape it and turn it into a stubborn movie.

1. The Grand Budapest Hotel

Monsieur Gustave H. (Ralph Fiennes) perfectly executes his job as gatekeeper at the Grand Budapest Hotel in the Republic of Zubrowka during the political disturbance of the 1930s. Singing romantic poetry he may have made up on the spot, he is present at the sexual whims of his wealthy old-lady clients; or, as he says, “I go to bed with all my friends.” Amour and mortality, comedy and tragedy, romance and horror, due to a luxurious draw in Wes Anderson’s rich torte of a movie – perhaps the most seductively European movie ever made by a youngster from Houston, Texas. A dizzyingly intricate machine whose workings are an enjoyment to watch, the movie has a ironic smile for frailties, a watchful eye for tyranny and a heart that, under the situation of this dark, fantastic tale, must be called heroic. This is not just an amazing contraption, though it is that; it’s a genuine, comic, gloomy film, whose presentation (from Fiennes, Adrien Brody, Jeff Goldblum, Tilda Swinton and dozens of others) are as alert and stylishly composed as the décor. Impressive isn’t good enough a word for this Budapest Hotel.

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